Author: Lev Grossman
Thoughts: Definitely a Lot of Good Parallels for Fantasy Fans; Too Much Exposition; Narnia Spoof; Really Hard To Get In To, But Wrenching Once You Do; The Story Doesn’t Start Until The End
I was really excited to read Lev Grossman’s series because I’d heard it was like a “Dirty Harry Potter” and as a thorough Harry Potter nerd, I really looked forward to passing my judgement. Outside of a few joking references, though, The Magicians has nothing to do with Potter, but a lot to do with The Chronicles of Narnia.
Grossman was clearly creating a Narnia spoof, and with good reason, but I couldn’t help but feel like he didn’t actually get to the plot until maybe the last 150 pages of a 400 page book. The protagonist, Quentin, gets invited to a magic college early on, but then we spend the entirety of the first half of the book learning next to nothing about Quentin’s school, but rather passing his way through time through a series of large time-gaps and exposition. Characters are plucked from nothingness only to be tossed back in (and occasionally repeating the process). It was as though Grossman had gotten the idea into his head of a magic college and then married the idea when, in fact, the college had almost no significance to where the story was going other than that they thereafter (and somewhat feebly even) knew magic. I’m not even sure why the first half of this book exists.
Basically, the first half of this book is prolonged exposition scattered with a smattering of actual scenes that seem to take on no real significance. What is the point of Welters? for instance. Or the whole South Pole thing? If you’re looking for a book about a magic school, this is not it. You get very little from Q’s time there.
The strongest point of this book is definitely the coming of age aspect, which I felt didn’t really shape up until quite late as well. Quentin, of course, has a lot of growing up to do. I like that Grossman puts his character through the ringer, that he has him make almost catastrophic mistakes, that his personal life is in shambles. I’m tired of this genre of writing having everything work out so perfectly. Quentin’s life gets messy and not everything goes well. That’s a hard lesson for him to learn, but a lesson so quickly left out of Young/New Adult literature. I definitely enjoyed that theme abutting the Narnia-spoof.
Honestly, I didn’t love this book. By the time we FINALLY get to Fillroy (the Narnia-esque land), it’s a bit rushed to me. I hated most of Quentin’s friends. I hated the way Grossman tossed around characters, the way I always seemed to know less about the character’s lives than what was happening, and–most of all–I hated all the exposition. Is it so wrong to want to be in a story, rather than hearing about a story? But I did like the adult themes, the way he clearly dirties up a typically innocent cannon, the way he could create issues out of one’s grasp.
But honestly, I didn’t get into it until the end. It was hard slugging for a long time there, waiting merely for the inevitable Fillroy plot to finally manifest. I’m probably not going to be reading on, albeit I’m a bit curious and angry about a curveball that’s mentioned entirely without comment, as if it’s perfectly usual, at the end.
Seriously? Where did Julia just come from? YOU CAN’T JUST DO THAT!